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Papyrus
painting
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Reminiscences
of Egypt
BY
SHOBHA SHUKLA 
Aha!
To be in the land of the Pharaohs
and of Cleopatras;
to breathe deep the air of ancient civilization ; to marvel at the
pristine blue of the Red
Sea; to let the senses reel under the inexplicable experience of a
cruise on the Mother of All Rivers.
My stay in Egypt, a land of thousand contradictions, where ancient
traditions and modern technologies live together, was a mixture of discovery and pleasure. It was
difficult not to be overwhelmed. The sheer mathematical precision and
design of the Pyramids
at Giza at once awed and humbled me. Did the Kings really ascend to
the after life to find a place amongst the gods? Or were the
elaborate preparations (started by them in their lifetime on
earth) for the journey to the next world, all in vain? These and other
questions will remain unanswered forever.
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Pharaoh
Khofu, who built the biggest tomb for himself, also has the dubious
distinction of being represented by his smallest sized statue at Cairo Museum
, as he was supposed to be very ugly and not liked by his people. This is just
one of the many contradictions I came across. As I drank deep of the air over
the River Nile, I was denied the basic human right of free drinkable water. No
hotel (big or small) across Egypt provides free drinking water. A one litre
bottle of water costs 5 Egyptian pounds (approx. Rs.40) or more. Petrol is
much cheaper at 2 pounds a litre (Rs.16). But the body cannot survive on
petrol. So buying water was one of my major expenses.
The dazzling display of artifacts at the Egyptian Museum was overpowered by
the tell tale signs of abject poverty spilling around me. Outside an alabaster
factory, a worker gave me a piece of polished limestone (with a figurine
etched on it), in return for a pen. He said he had three school going
children. This he did with other tourists also. Although Cairo , Luxor , Aswan
, Hurgadha, still retain an old world charm and have very few high rise
buildings, they are all very high on smoke. Despite signing and ratifying the
global tobacco treaty (formally known as the World
Health Organization Framework Convention on Tobacco Control - WHO FCTC),
the Egyptian government seems to have done nothing to curb the menace of
tobacco. Of course there were ‘no smoking’ signs everywhere, with people
puffing away merrily under those signs. At the entrance to Karnak Temples, I
clicked a policeman smoking close to a ‘No Smoking’ sign. He really
got angry at me and said that I was not allowed to photograph a police man.
When I pointed to the ‘no smoking sign’ he just walked away.
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Policeman: "not...
to photograph"
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Khan Khalili market
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The
temple of Kom Ombo:
the crocodile god Sobek
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Different types of tobacco in very attractive packing are sold everywhere. I
found it impossible to walk even a few steps in the market and other places,
without encountering cigarette smoke. Another very common sight was that of a
hookah smoker.
Inside the Ramses Perfumes Palace , the air was thick with the fragrances of
flower perfumes. A delicate touch of the pure essence oil of lotus, narcissus,
jasmine, lilac, golden water, behind the ear or on the hair assured a
fragrance lasting for several days. Blends, going by exotic names like
‘secret of the desert’, ‘thousand and one nights’, ‘omar el sherif’,
‘papyrus flower’ and ‘queen Cleopatra’ arouse the sensuous in you.
Then there is kohl to beautify the eyes and incense to perfume the apartment.
Papyrus
painting is to Egypt , what ‘chikankaari’ ( a special form of hand
embroidery) is to Lucknow . It was wonderful to watch the making of papyrus
paper from the stem of the plant. And the beautiful paintings of Egyptian gods
and goddesses and floral designs executed with finesse, similar to our own
madhubani paintings. I found a lot of similarity between them.
The trip to Egypt can never be complete if one has not savoured the delights
of bargaining in a typical Egyptian bazaar (like the Khan Khalili market at
Cairo). Haggling indeed is an art form in Egypt . It is perhaps expected and,
from the local point of view, encouraged as a way of communication and human
contact. Being an Indian, I enjoyed it immensely. The shopkeepers have a habit
of touching you, praising your beautiful face and hair, cajoling you to buy
their goods with all the vile trickery at their command. Once they knew that I
was an Indian, they even took the name of some bollywood movies and expressed
their admiration of Amitabh Bachhan and Shahrukh Khan. I had been warned by my
guide not to fall in their trap, but I did. I bought a pair of ear rings for
60 pounds, which were quoted at 250 pounds. When the bargain was finally
struck, the old shopkeeper said to me, ‘God Bless You’. ‘For what?’ I
wondered. Perhaps, for allowing him to cheat me.
Of course, how could I leave Egypt without buying a cartouche, the oval shaped
good luck charm. It has symbols of eternity, love and protection etched on it.
One can also get one’s name etched in hieroglyphic script on it. It is
generally worn as a pendant or as earrings.
My
senses are still spinning like the Tanoura
Dance, the Egyptian version of the Sufi whirling dervish dance, performed
mainly at Sufi festivals. It was awesome to see the male dancer spinning non
stop for nearly half an hour, juggling with 5 tambours; twisting and turning
as his multicoloured long skirt created the illusion of a human kaleidoscope.
In the words of Jalaluddin
Rumi, ‘There must be a purpose, a cause for existence, and inside the
cause, a true human being.' So be it.
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The
author teaches Physics at India's
Loreto Convent and has been writing extensively in English and Hindi media.
She serves as Editor of Citizen
News Service (CNS). Email: shobha@citizen-news.org,
website: www.citizen-news.org

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